An enjoyable book containing an impressive range of information about common and exotic ingredients, including many pictures and nutritional information. It’s suitable for people who already know a bit about ingredients, although the organisation of the book can be quite frustrating. For beginners, this would only be suitable for US readers, with some reservations.
Once upon a time, the marking point of a chef’s success was the awarding of a Michelin star or equivalent. The professional recognition and a dining room full of satisfied diners was all that was needed to make your mark on the culinary landscape. But chefs and restaurants have now evolved to a stage where global brand recognition has become a part of the game. Cookbooks featuring the flagship restaurant are a part of that marketing strategy.
Gordon Ramsay Royal Hospital Road is the flagship of Ramsay’s empire, and “Three Star Chef” is his homage to it. As you’d expect, it is a beautiful book that will draw attention whether you keep it in the kitchen or on the coffee table.
The photography is of a high quality and the dishes presented are remarkable in terms of the skills behind them and their presentation. Given the time, skill, and ingredients, this is food that would impress at a dinner party. Ramsay’s words display his customary bluntness when discussing restaurant life in the first half of the book, but change to a more encouraging tone in the recipe section. Does this book, like the restaurant, stand alongside corresponding works by the likes of Thomas Keller, Heston Blumenthal, and Michel Bras? While the Ramsay book matches these others in terms of recipe content and production values, it falls short in that you never truly get a sense of what drives him, his food, and his restaurant.
Rose’s Heavenly Cakes is Rose Levy Beranbaum’s follow-up to the acclaimed The Cake Bible, with almost 100 cakes that aim to please a wide variety of tastes. Beranbaum’s meticulous style may please some well-equipped home bakers in a temperate climate, but others might find them too fastidious, controlling, limiting, and overly complicated for what are really supposed to be simple cakes. Frustratingly, even following the recipe to the letter can give results that still leave something to be desired.
The Dessert Architect gives plenty of inspiration for a student of pastry arts to create his or her own impressive creations through 50 creative recipes. It also provides a few guidelines in creating your own plated desserts and what factors must be put into consideration in a professional kitchen. However, the photography needs some improvement in showing off the desserts. Also, the lack of instructions for specific plating techniques and the exclusion of newer methods in plating and construction keep the book from becoming an authority on plating in the modern pastry chef’s bookshelf.
Basic ice-cream books are fairly common, but informative or innovative ones are few. Lola’s Ice Creams & Sundaes has been hailed as a welcome addition to the innovative side of things and I’m happy to agree. This attractive book by Morfudd Richards, owner of the UK’s high-class ice-cream van Lola on Ice, presents a very good range of delicious and inspiring recipes and some flawed explanation of the knowledge needed to become a confident and creative ice-cream maker.
Lobel’s Meat Bible from the eponymous butchery in New York promises “All you need to know about meat and poultry”. It’s a bold promise and the book doesn’t deliver. This visually attractive “bible” is both very informative and incredibly disappointing.
The front cover of “Snowflakes and Schnapps” shows a dinner table with a white painted antler in the middle of it. On first impressions it looks very stylish. But then you ask yourself, “Why is it there? Is there a purpose to it? Won’t it get in the way?” Look at the photo a bit longer, and the realisation hits that there is no food on the table. This book is like the photograph. There’s lots of style, with food almost as a secondary consideration.
Despite the glossy magazine feel of the book, and the expectation that it’s destined for the coffee table rather than the kitchen bench, it does contain recipes that would tempt even the most experienced of home cooks. A very impressive winter dinner could be built upon the offerings in this book.
“Snowflakes and Schnapps” will certainly satisfy those looking for a gift and many who are looking for a good cookbook. However, anyone who wants a more detailed and authentic look at the winter foods of Europe would be best advised to look elsewhere.
The author of the massively popular blog Chez Pim attempts to guide us to appreciating food, dining, and cooking (again) with her unique brand of sass and humor. While the dining tips are useful and the recipes look delicious, some of the material appears simply a supplement to (or derivative of) the blog. Her guide is a mixed bag of earnest, well-thought-out advice and odd name- and place-dropping that somehow makes being a foodie synonymous with being well-traveled and well-connected (or synonymous with Pim’s life), contrary to her stated objectives.
From the national Country Women’s Association branches around Australia comes a collection of cake recipes, published by Penguin. This is one of a few CWA books to be released in 2009. The photos are attractive, despite the range of cakes being far from fancy, and there are many familiar classics alongside some novel twists. The personal touch saves the book from being just an idiosyncratic catalogue of recipes (not least fruitcakes!) and with a little care most readers would enjoy baking from it, despite a few recipe problems.
Along with Heston Blumenthal’s “The Big Fat Duck Cookbook” and Ferran Adria’s “A Day at elBulli”, Grant Achatz’s “Alinea” was one of three highly anticipated books on molecular gastronomy released in 2008. The merits of molecular gastronomy have been argued in many forums and over countless dinners. While Blumenthal’s book provides a strong case that there is substance behind the hype, Achatz’s book may provide ammunition for those who don’t support the culinary revolutionaries. The recipes in the book are visually stunning and the techniques can leave you in wide eyed awe, but there is a gaping hole in that there are too few words from Achatz about his creations. It is also noticeable that the most satisfying writing in the book was by other contributors. It is these weaknesses that left me disappointed in the Alinea cookbook. Remove the essays, especially the one by Jeffrey Steingarten, and you may feel that the emperor has no clothes.
Daisy Garnett roasted her first chicken at thirty. It was the first meal she had ever actually cooked, something repeated – and often – throughout the pages of Cooking Lessons. A memoir by a young, emerging cook, Garnett’s recently formed kitchen wisdom is imparted with a refreshing, conversational ease. Her recipes ooze charm and wit. Unleashing this passion during a life-affirming yacht trip across the Atlantic with friends, Garnett is something of a poster girl for the still-growing movement toward reconnection with the simple pleasures of cooking. Here is someone, with the zeal of the newly converted, clearly in love with her subject.
Michael Ruhlman’s book Ratio promises a lot. He seeks to teach home cooks about the basic relationships between ingredients that form the basis of so many preparations – from custard to bread to sausages to mayonnaise. Bread, for instance, is 5 parts flour to 3 parts water. These relationships, ratios or “codes” for combining ingredients, are more fundamental than the specific weights and volumes of today’s flood of “new” recipes.
I was excited in anticipation of this book, but was greatly disappointed with the outcome from this otherwise good author. Ratios are a great approach to reviving cooking “sense”, but they require skill in definition and explanation. Somehow Ruhlman’s sense for communicating about cookery didn’t conquer the demands of explaining a mathematical relationship clearly to a range of possible readers. It was never going to be an easy task, especially when trying to apply chef sense to something which domestic cooks have largely forgotten. Nonetheless, despite its failings, the existence of this book is truly valuable and can be of utility to certain readers – those who are already familiar with ratios in cooking, perceptive novices who need no visual material, and perhaps some others who might want to explore their own understanding of cooking fundamentals.
In the public imagination, the leading light of what has commonly been called the Molecular Gastronomy movement is the restaurant elBulli and its head chef, Ferran Adrià. For many years, elBulli has produced large, beautiful volumes of innovative dishes, techniques and the philosophy of their creation, first in Spanish and then, with some delay, in English. Unattainably expensive for many chefs and non-chefs alike, these books have provided one of the few clear insights into what Ferran Adrià and his restaurant is about, minus the breathless enthusiasm of food critics or hyped “weird-shit” descriptions of lesser food writers. At last there is a book that is aimed at the public, perhaps leading to better understanding of what this approach to cooking and eating is about. Sceptics might not make it through to the interesting bits, however, as this book is a vanity work of many pages and photos that only becomes interesting the further you look. In many ways this is little more than a coffee table book, yet fails in that form. It is simultaneously dull, unwieldy, informative and complex. The “potted guide” to elBulli, to use a slightly old fashioned term, just without the brevity!
Eating Between the Lines claims to be “A different kind of food tour” and sociologist Rebecca Huntley certainly takes the readers on a journey. The book is a series of discreet chapters exploring aspects of food culture in Australia. From the subtitle of the book, “Food & Equality in Australia”, you might expect the focus to be on poverty, access to food, and perhaps the ability to cook. In fact, Huntley ranges over these themes and adds a sociopolitical agenda involving gender roles, racism, Slow Food and more. At times, the reader might feel that the author lacks much insight into deeper cultural and historical issues, leaving her argumentation a little popular-conscience rather than achieving insightful examination. Nonetheless, many interesting pieces of information come out of the interviews and stories and the footnotes are interesting. I found Eating Between the Lines very irritating, but it’s well written and designed to hit the right “how terrible” buttons with certain types of readers. Huntley might, however, have cast her net a bit too wide, because there are enough touches of sneering through the book that she might well offend even some of her target audience.
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